Southeast Asian Conference on Arts & Humanities 2027 (SEACAH2027)
The Southeast Asian Conference on Arts & Humanities (SEACAH2027) is an academic event focused on fostering interdisciplinary dialogue within the arts and humanities. Hosted in Bangkok, THA, this conference brings together scholars, researchers, and practitioners to explore diverse perspectives and advancements in these fields. It serves as a significant platform for intellectual exchange and collaboration across the region. The conference aims to highlight the rich cultural tapestry and academic contributions of Southeast Asia, providing a forum for presenting new research, discussing contemporary issues, and building professional networks. Participants can expect a program designed to stimulate critical thinking and encourage innovative approaches to understanding the arts and humanities in a global context.
Committees & topics
Topics
Teaching and Learning the Arts · Arts Policy, Management and Advocacy · Arts Theory and Criticism · Social, Political and Community Agendas in the Arts · Visual Arts Practices · Performing Arts Practices: Theater, Dance, Music · Literary Arts Practices · Media Arts Practices: Television, Multimedia, Digital, Online and Other New Media
Why it matters
SEACAH2027 holds particular significance for several reasons. Firstly, it provides a dedicated space for the academic community to engage with the unique cultural and historical narratives of Southeast Asia. In a globalized world, understanding regional specificities within the arts and humanities is crucial for a comprehensive intellectual landscape. The conference's location in THA further underscores its commitment to a regional focus, making it accessible to scholars from neighboring countries such as IDN, PHL, SGP, VNM, MYS, MMR, TLS, and KHM.
Secondly, the interdisciplinary nature of the conference encourages cross-pollination of ideas, which is essential for innovation in academic research. By bringing together various sub-fields within the arts and humanities, SEACAH2027 facilitates a broader understanding of complex societal issues and cultural phenomena. This approach can lead to novel research questions and collaborative projects that might not emerge from more siloed academic environments.
Finally, the conference contributes to the professional development of its attendees. For emerging scholars, it offers an opportunity to present their work to a diverse audience, receive feedback, and connect with established academics. For seasoned professionals, it provides a forum to share expertise, discover new trends, and forge partnerships that can extend beyond the conference itself. Such gatherings are vital for the sustained growth and vitality of academic disciplines.
How to prepare
Prospective attendees should prepare by thoroughly researching the conference's themes and identifying how their work aligns with the broader objectives of SEACAH2027. Given the interdisciplinary focus, considering how one's research intersects with other fields within the arts and humanities can enhance the relevance and impact of presentations. Crafting a compelling abstract that clearly articulates the research's contribution and methodology is a critical first step.
For those planning to attend, familiarizing themselves with the academic landscape and cultural context of THA can be beneficial. Understanding the local academic environment and key research institutions in the region can inform networking strategies and potential collaborative opportunities. Participants should also consider how their work might resonate with scholars from diverse national backgrounds, including those from IDN, PHL, SGP, VNM, MYS, MMR, TLS, and KHM, fostering a truly international exchange of ideas.
Given the conference's format, preparing for engaging discussions and Q&A sessions is advisable. Attendees should be ready to articulate their research clearly and concisely, and to thoughtfully respond to questions from a multidisciplinary audience. Networking is a key component of such events, so preparing concise introductions and being open to informal conversations can maximize the benefits of participation.
Country perspectives
Where the most-relevant 9 countries stand on the core issues in play. Click through for the full country profile.
Topics & background
The background behind each topic and the actors that shape it.
Teaching and Learning the Arts
Key players
IndonesiaHome to ISI conservatories and a national curriculum emphasizing traditional arts transmission.
PhilippinesOperates the Special Program in the Arts and a long-established tertiary arts education network.
ThailandHosts Silpakorn and Bunditpatanasilpa, anchoring royal-patronage arts pedagogy in the region.
SingaporeLeading creative-industries arts education hub through NAFA, LASALLE, and SOTA.
VietnamReforming arts academies to balance socialist heritage curricula with market-oriented creative skills.
Arts Policy, Management and Advocacy
Key players
SingaporeOperates one of the region's most developed arts funding and policy ecosystems via the National Arts Council.
IndonesiaPioneered a dedicated creative economy agency and law (2019) covering 17 creative subsectors.
MalaysiaAdministers cultural policy through MOTAC and contests over multi-ethnic representation in national arts.
ThailandPromotes soft-power '5F' cultural exports while maintaining strict content regulation.
PhilippinesRecently legislated a Creative Industries Development Act and operates the NCCA.
VietnamCentralized cultural management under the Ministry of Culture, Sports and Tourism, with state-led cultural strategy to 2030.
Arts Theory and Criticism
Key players
SingaporeHosts the National Gallery and NTU CCA, key institutions producing regional art-historical scholarship.
IndonesiaGenerated influential critical traditions around Bandung and Yogyakarta art schools and biennale circuits.
PhilippinesStrong lineage of Marxist and decolonial art criticism rooted in UP and Ateneo academic communities.
ThailandHome to Apinan Poshyananda's curatorial school and active biennale-driven critical discourse.
VietnamSite of ongoing reassessment of socialist realism, Đổi Mới-era art, and emergent independent criticism.
Social, Political and Community Agendas in the Arts
Key players
PhilippinesLong tradition of activist theater and community arts confronting authoritarianism and inequality.
IndonesiaVibrant community-art collectives (e.g., ruangrupa) addressing post-Reformasi social agendas.
MyanmarSite of acute repression of dissident artists since the 2021 military takeover.
ThailandContested space for political art amid lèse-majesté prosecutions and youth-led protest aesthetics.
Timor-LesteUses arts in post-conflict memory and reconciliation processes.
CambodiaReconstruction of cultural memory through arts after the Khmer Rouge era.
Visual Arts Practices
Key players
IndonesiaLargest regional visual-arts ecosystem with global figures like Heri Dono and the ruangrupa collective.
SingaporeRegional market and museum hub via the National Gallery and Art SG fair.
PhilippinesStrong painting tradition and one of the most active contemporary auction markets in Asia.
ThailandAnchors the Bangkok Art Biennale and a thriving contemporary gallery scene.
VietnamRapidly growing contemporary scene built on École des Beaux-Arts d'Indochine legacies.
CambodiaCenter of ongoing artifact repatriation efforts and post-conflict visual-arts revival.
Performing Arts Practices: Theater, Dance, Music
Key players
IndonesiaCustodian of gamelan, wayang, and a vibrant contemporary dance and theater scene.
ThailandMaintains khon and classical music traditions under royal patronage alongside an experimental fringe.
CambodiaRebuilding classical dance and music after near-total loss during the Khmer Rouge years.
PhilippinesStrong musical theater, choral, and contemporary dance traditions with global diasporic reach.
VietnamHome to water puppetry, ca trù, and a reform-era contemporary performance scene.
SingaporeRegional commissioning hub via Esplanade and Singapore International Festival of Arts.
Literary Arts Practices
Key players
IndonesiaLargest literary market in the region with strong publishing and festival infrastructure.
PhilippinesBilingual English/Filipino tradition producing internationally awarded fiction and poetry.
VietnamState-managed publishing alongside a growing translated diaspora literature.
SingaporeMultilingual literary scene supported by the National Arts Council and Singapore Writers Festival.
ThailandOriginated the S.E.A. Write Award and faces ongoing tensions around politically sensitive writing.
MyanmarLiterary community sharply constrained since the 2021 coup, with many writers in exile.
Media Arts Practices: Television, Multimedia, Digital, Online and Other New Media
Key players
IndonesiaLargest digital media market in ASEAN with booming creator economy and contested ITE Law enforcement.
PhilippinesAmong the world's heaviest social-media-using populations and a major content-creator export base.
SingaporeRegional hub for media production, immersive arts, and platform regulation including POFMA.
ThailandStrong film and series export sector ('5F') alongside strict Computer Crime Act enforcement.
VietnamFast-growing digital content market under one of the region's most restrictive cyber regimes.
MalaysiaActive multimedia industry shaped by MDEC incentives and tightening online content rules.
Resources
News, lessons, and country profiles to prep for Southeast Asian Conference on Arts & Humanities 2027 (SEACAH2027).
Lessons
Bite-sized lessons to build the basics
Courses
Guided courses that go deeper on the topic
The states in play, with the data that shapes their stance
Related conferences
By committee
- Teaching and Learning the Arts
- Arts Policy, Management and Advocacy
- Arts Theory and Criticism
- Social, Political and Community Agendas in the Arts
- Visual Arts Practices
- Performing Arts Practices: Theater, Dance, Music
- Literary Arts Practices
- Media Arts Practices: Television, Multimedia, Digital, Online and Other New Media